Tara art

accepting stories interactions at Boyden Gallery

accepting stories

accepting stories

happy holidays!

happy holidays!

plaay with it!

except replace “photoshop” with “dreamweaver” and “crash” with “students can’t code php or perl on school server”

except replace “photoshop” with “dreamweaver” and “crash” with “students can’t code php or perl on school server”

Cindy Sherman. Doll Clothes. 1975

she was MY AGE when she made this. 21. goodness gracious

Assessment

Strength
I have a multitude of interests, both personal and professional, and this SMP has allowed me to express this idea of multiplicity, in the various mediums I use, the concepts behind my artwork, and even within the artwork, as I tried to create scenarios where there were enough people and stories that everyone felt included. Sometimes my artwork can be a bit haphazard, but even as I try to be more purposeful I want to keep the idea of multiplicity (in concept and medium) and inclusion in my artwork.
In my SMP, I have tried to draw the viewer into the artwork to the point of interactivity, which I did in part with the multiplicity of stories. However, I also tried to create objects that were attractive visually, that reference dolls that we all play with and seem non-threatening, even if they are strange. I have received a lot of positive feedback on that, as people I didn’t know would approach me and inform me that they enjoyed playing with the dolls I created, wrote stories on the notecards, or even that they took a sheet of the dolls home to play with outside the gallery.


Weakness
The past semester I struggled with content and medium of my artwork. It took me nearly the whole semester to come to a conclusion about the medium and conceptual grounding of my artwork. Because of my uncertainty, I was hesitant to say many concrete statements about my artwork, and I felt the work itself was less effective due to my hesitancy and uncertainty. Now that I am more comfortable with the concepts of queer and gendered narratives, interactivity, and inclusiveness as the core of my SMP, I hope that my writing and articulation about this work improves
Another issue I struggled with is the time it took to create my art objects did not leave much time for revision or even preparation for the installation. I knew the installation in the gallery last semester would be a test for me, and I see that with regard to the installation, it was weak and poorly planned. I am going to plan for the installation while making my artwork this semester, and even if it means creating less in the end, make sure that I give myself time to revise created pieces and the way they are viewed (on the web or in the gallery).

Future
Now that I have become more comfortable with my SMP, I am excited to expand upon the types of bodies and stories I created last semester, and create pieces that are more successful in engaging the viewer, as well addressing a wider range of people within the artwork. Some of this I have started to explore with forays into flash games, and creating a digital entity for the viewers to play in that will be more comfortable than placing the viewer on the spot in the gallery.
I am still interested in physical objects, however, especially since I saw in the fall gallery exhibit that people would collaborate in their interactions with the dolls. I hope to create an installation that relies more on what the viewer brings to the table to create narratives and characters, whereas my authorship is much heavier in the flash/website aspect. I will start with the installation setup and create the imagery and artwork to fit in a gallery space, addressing the issue I had last semester.
I am also hoping to expand on the ideas of relation and mass production in the work, and continuing with the idea of sharing what I create, especially with the addition of the web to things that I can hand out in the gallery.